Showing posts with label Las Vegas. Show all posts
Showing posts with label Las Vegas. Show all posts

Saturday, September 15, 2012

KillerCon4 Interview—KillerCon Organizers




KillerCon4 InterviewKillerCon Organizers:
Wrath James White, Bailey Hunter, and RJ Cavender
 
Wrath James White is a former World Class Heavyweight Kickboxer, a professional Kickboxing and Mixed Martial Arts trainer, distance runner, performance artist, and former street brawler, who is now known for creating some of the most disturbing works of fiction in print. 

Wrath's two most recent novels are The Resurrectionist and Yaccub's Curse. He is also the author of Succulent Prey, Everyone Dies Famous in a Small Town, The Book of a Thousand Sins, His Pain, and Population Zero. He is the co-author of Teratologist (with Edward Lee), co-author of Orgy of Souls (with Maurice Broaddus), co-author of Hero (with J.F. Gonzales), and co-author of Poisoning Eros (with KillerCon co-founder Monica J. O'Rourke). 

Wrath lives and works in Austin, Texas with his two daughters, Isis and Nala, his son Sultan, and his wife, Christie.  

 
Bailey Hunter is a writer and book inset & cover lay-up designer who does graphic design for print and digital media, and has been professionally creating for corporate and personal requirements with nearly 20 years of experience.

R.J. Cavender is the horror specialist editor at The Editorial Department, an Associate Member of the Horror Writers Association, and the twice Bram Stoker nominated editor of the +Horror Library+ anthology series from Cutting Block Press. Horror Library IV (co-edited with Boyd E. Harris) won the 2010 reader's choice Black Quill Award from Dark Scribe Magazine in the Best Dark Genre Anthology category.

R.J. is a publishing consultant and editor on Horror For Good: A Charitable Anthologywhich includes stories by Bram Stoker-winning authors Jack Ketchum, Ray Garton, Ramsey Campbell, and Benjamin Kane Ethridge. He is also a contributing editor at Dark Continents Publishing and has worked closely with some of the most talented authors in the horror genre. 
 
KC: Wrath, you’ve been a veteran since the first KillerCon. How did that come about?
 
WJW: Well, KillerCon was at least partially my idea. I sort of stuck my foot in my mouth about how someone needed to start a writer’s convention in Las Vegas. That “someone” ended up being me with much needed help from Monica O’Rourke. 

KC: Bailey and R.J, at what point did you come on as organizers?

BH: RJ and I came on board near the end of Killercon 2 after seeing the effort and heart and soul Wrath was pouring into it given a major upheaval by the original venue. He had dedicated so much and it was clear support was needed. Being a west coast dweller, I saw the value of having such a con on the western side of the continent. Also, I saw it as an excellent opportunity to get some knowledge and experience under my proverbial belt should I want to submit a bid to have a bigger con come to Vancouver, BC in the future.

RJC: I had to miss the first KillerCon as I’d just landed a new job and I simply couldn’t take the time off work. So by the time I finally made it to Vegas for the second convention I was beyond stoked. And when I saw there was an opportunity to get involved with the convention, I decided since I live so close (in Tucson, AZ) and since an annual writers convention in Vegas is one of the best ideas I’ve ever heard of…well, it was a no-brainer for me. So I reached out to Wrath, asked Bailey if she’d be interested, and by KillerCon 3 I was setting up the pitch sessions and helping with Guest of Honor outreach. Best decision I ever made while drinking in Vegas. 

KC: Give us a bit of a recap on KillerCon 3. What was the process behind approaching the guests of honor, getting the word out at other cons and through social media, etc.?

BH: Lots of letters sent out back and forth first between the three of us as we threw several names in the hat, and then each of us reaching out to different prospective GoHs and seeing who responded.  We were all quite pleased at the response–even though we did lose a couple at the last minute.  Even with that, we were able to find stellar replacements.  As far as getting the word out, it was a lot of Facebook posting, talking it up at other cons like World Horror in Austin, TX and using the large group of friends and ‘family’ in the community to help us spread the word.

KC: Give readers some more details on the panels planned for this year’s con. What are your personal highlights?

BH: I’m really looking forward to the “Why Strangers Have The Best Candy: Writing Young Adult Novels” because more and more or our genre is reaching out to the youth market. I’m also looking forward to both Pat MacEwan’s and Mike D. McCarty’s panels. I’ll probably be sliding between the two.  The last one I’m very excited for is on Sunday“Why They Kill: The Psychology of Serial Killers” Q&A with Doctor Al Carlisle. He’s a clinical psychologist with first hand exposure and work with serial killers. I’ve always been fascinated with criminal psychology so I think it’s going to be a very intriguing panel.

KC: What’s the story with how you scored Grammar Girl, Mignon Fogarty, to come to the con? A grammar workshop isn’t exactly the first thing that springs to mind when one thinks of a horror convention, but is this a conscious effort to offer more to the large proportion of writers attending the event? 

BH: That was a great score! The gents get accolades for that one. We are a writer’s con.  Whether it’s novels, novellas, shorts or scripts, writing is the name of the game. We want to provide a well rounded convention experience where we are catering to knowledge and sharing of experience for writers of the dark genre. It is meant to be fun and informative. If you’re going to pay to come, it should be a worthwhile expense.

WJW: I’m a big fan of Grammar Girl’s series “Quick and Dirty Tips for Fiction Writers.” I often listen to it on the long, arduous journey to my day job. After the success of Mort Castle’s writing workshop at KillerCon3, I thought it made sense to bring in a leading grammarian to do a workshop. And since she’s one of the few I actually understand, it was an easy choice. 

KC: RJ, tell us a bit more about how the Self-Editing for Fiction Writers workshop idea came out, how you made it work, and give us a preview of some of the things you’ll cover.

RJC: Wrath had asked me, after reading Self-Editing for Fiction Writers by Renni Browne (the book that my employer and company founder at The Editorial Department co-wrote with editor Dave King) if I’d be interested in adapting it into a workshop for KillerCon this year. Since I’ve been using the book as a personal editing bible for the last two years and have attended the SEfFW workshop locally, I thought it would be a fantastic addition to the convention. I accepted as soon as I got approval from the home office. In a nutshell, the SEfFW workshop will teach authors what editors are looking for and how to objectively fine-tune their writing to make it more appealing to acquisitions editors. It’s a great book and I’m exciting to be teaching it! 

KC: You’re also bringing back Pat MacEwan who did the Forensic Blood Splatter event last year, and this time around, she’s doing an Alien Autopsy. Can you give us a sense of what that will be like? 

BH: Pat is awesome. Her event last year was standing room only and we’re very happy to have her come back. She will be delving into what forensics would be like on some less-than-human anatomy, some of the potential differences and similarities, and there will be a slide show. Pat has a lot of surprises in store, and will likely have a few tricks up her sleeve.

KC: There are also a number of publishers who will be having pitch sessions at the convention on September 21 & 22. Any tips on how writers should prepare? 

BH: As we did last year, there will be a ‘Pre-Pitch Panel’ that will include all those who are taking pitches. It will be sort of a round table panel, in which each of those taking pitches will offer some tips and tricks on how to pitch and what they are looking for. RJ made this suggestion last year and it’s a great way to give those putting their work out there a helping hand and calmed a few nerves, too.

RJC: If you’re going to pitch to a market in particular, then you’ll want to research them and find out what sort of manuscripts they’ll be looking for. Familiarize yourself with their publications, come to the pre-pitch editorial panel on Saturday directly before the pitch sessions to hear the editors themselves talk about what they are looking for, bring a pen and paper for notes, and you should be fine. 

KC: Besides casinos and the usual Vegas fare, do you have any sightseeing recommendations for KillerCon attendees while they’re in Sin City? 

BH: I’m afraid I have no idea. I generally don’t leave the hotel during a con except on the last day–too much to do. Vegas is a playground, though, and I’m certain there is something for everyone whether it’s lounging by the pool, shopping, shows, a quick day trip to the Hoover Dam, or if you arrive early and want to kill a day, even a drive down to Area 51 (look to the hills for those cameras).

WJW: Last year, we rented a limo Sunday night and took a bunch of people to Spearmint Rhino. So, I can definitely recommend that place. Good, wholesome, family place. I wouldn’t recommend bringing the kids, though. Not unless they’re over 21. And I’m a foodie, so I have to talk about Vegas’s culinary delights. Around the corner from the Stratosphere hotel is a sandwich shop called Capriottis. Best cheesesteaks outside of Philly. The Palms hotel has one of my favorite sushi restaurants, Little Buddha. The Mandalay Bay has an excellent French restaurant, Fleur de Lis.  

But you don’t have to leave the hotel if you want fine dining. Top of The World restaurant is excellent. You can cut the steak with a butter knife and the mashed potatoes are exceptional. I proposed to my wife at Top of The World. There’s also an Italian place on the main floor of the hotel that has excellent carpaccio. 

And if you’re not a foodie and you’re not in the mood to leave half your income in someone’s g-string, there are shows like Zumanity at New York, New York, Imagine at the MGM, “O” at the Belaggio, and of course our very own topless vampire extravaganza, “Bite” at the Stratosphere. We’re even giving out discount tickets to “CSI: The Experience” in the goodie bags.   

RJC: My biggest suggestion would be just to plan some extra time either before or after the convention for some sightseeing. We’ve got a zip-line event planned on Thursday night and I’ll certainly be hitting the Vegas Strip on Sunday with a group, but like any convention…when it’s going on you’ll probably want to stick close to the convention hotel and not miss any of the programming and events. You simply can’t do Vegas in one night or one trip, so don’t try to. Make a list of a couple of things you’d like to do and plan them in to your itinerary so as to not to take you too far from the convention while it’s in full swing. Plus, there’s a lot to do at The Stratosphere hotel as well…and we’ve got free booze. 

KC: What’s the part about KillerCon4 that each of you are most looking forward to?

BH: Seeing old friends, making new friends and knowing that our guests are having a great time from the moment they get up to when they pour themselves into bed. This is what is most important to me. This is what makes it completely worthwhile. Thanks for your time and I can’t wait to see everyone again!

WJW: The sex. There’s always lots of sex at KillerCon. Vegas is just one sexy place. It may have something to do with all the alcohol— and the strippers. Did I mention Spearmint Rhino?

RJC: More than anything, I’m just looking forward to seeing all of our friends again this year, partying throughout the weekend, then following up and working on projects for the remainder of the year. 

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KillerConLV would like to thank Wrath, Bailey, and RJ for taking the time out of their jam-packed schedules to stop by for this interview! 

RJ Cavender will be involved in various events during KillerCon4, including the pitch sessions, as well as conducting the Self-Editing for Fiction Writers Workshop, both of which take place on Saturday, September 22. For more information, please visit the Schedule/Events page.

-KillerConLV

Saturday, September 8, 2012

KillerCon 4 Interview: Brian Keene


KillerCon 4 Special Guest InterviewBrian Keene

Brian Keene has won two Bram Stoker Awards, one in 2001 for the non-fiction work Jobs In Hell and one in 2003 for his first novel The Rising. He is also the recipient of the 2004 Shocker Award for non-fiction for Sympathy for the Devil as well as many small and regional awards. He has been featured in the New York TimesThe Village Voice, Publishers Weekly, CNN.com, The Howard Stern Show, Rue Morgue magazine, Fangoria magazine, and participated in a documentary for the History Channel. David Letterman once based a skit on a party at Keene’s home.

In addition to being a prolific writer, Keene is also a popular public speaker, and has been invited to speak at a number of libraries, high schools, bookstores, and conventions. He was also invited to speak at the Central Intelligence Agency headquarters in 2006 and 2007.

In 2004, The Rising was optioned for film and videogame adaptations. In 2005, City of the Dead was optioned for the same. In 2006, Terminal was optioned for film. Also in 2006, three stories from Keene’s Fear of Gravity were adapted in the graphic novel Brian Keene’s FEAR. The stories were “Castaways,” “Red Wood,” and the award-winning “The King, in: Yellow.” In 2007, Ghoul was optioned for film. In 2008, the short story “The Ties That Bind” was optioned for film, and it had its world premiere on April 4th, 2009 at the Garden State Film Festival.

In 2004 and 2005, Keene spearheaded a successful Books For Troops program, in which various horror authors supplied free, signed books to American troops serving in Iraq, Afghanistan, and elsewhere around the world. Keene was honored for this in 2005 by the 509th Logistics Fuels Flight Squadron based at Whiteman A.F.B. in Missouri.

In 2008, Marvel Comics announced that Keene would be writing for them. His first project for the company was the four-issue MAX series: Devil-Slayer.
 


KC: How did you first find out about the KillerCon Convention and what were your initial thoughts about a horror convention held in Las Vegas?  

BK: I was a guest of honor at the inagural KillerCon. At the time, my only real concern was thatbeing Vegasthere would be so many other things to do outside the confines of the hotel that the attendees would be scattered all weekend long. But that didn't happen. The convention staff put together such an awesome programming schedule that people were packed into the panels and readings all weekend long. We barely had any time to gamble! (laughs)

KC: What made you say yes again to being a special guest at KillerCon 4?

BK: Well, they asked me to come back for 2 and 3, but scheduling conflicts prevented it. Luckily, this year I was free and the moon and stars aligned.

KC: What are your favorite and least favorite moments at conventions?  

BK: I always enjoy meeting the folks who read my books, and shaking their hands and letting them know how much I appreciate their support, and hearing their thoughts on my various books. And it's always great to catch up with old friends, as well. Writing is like any other line of work. You have co-workers who you are friendly with or close to. But unlike other jobs, you really only get to see them at events like this. My least favorite moment is probably the bar tab that occurs after those first two things. 

KC: What are you most looking forward to at KillerCon4?

BK: See above.

KC: What can readers expect from you next?

BK: There are at least two novels and a comic book slated for release every month between now and December. Too many to list here. But folks can find all the info at BrianKeene.com.

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KillerConLV would like to thank Brian for taking the time out of his jam-packed schedule to stop by for this interview! :-)

Brian will be involved in various events during KillerCon4. For more information, please visit the Schedule/Events page.

-KillerConLV

Saturday, September 1, 2012

KillerCon 4 Interview: Eric Red


KillerCon 4 Special Guest InterviewEric Red

Eric Red is a Los Angeles based motion picture screenwriter, director and author. His original scripts include The Hitcher for Tri Star, Near Dark for DeLaurentiis Entertainment Group, Blue Steel for MGM and the Western The Last Outlaw for HBO. He directed and wrote the crime film Cohen and Tate for Hemdale, Body Parts for Paramount, Undertow for Showtime, Bad Moon for Warner Bros. and the ghost story 100 Feet for Grand Illusions Entertainment. He created and wrote the Sci-Fi/Horror comic series and graphic novel Containment for IDW Publishing.

Eric’s recent published horror and suspense short stories include “The Buzzard” in Weird Tales magazine, “Little Nasties” in Shroud magazine, “In the Mix” in Dark Delicacies III: Haunted anthology and “Past Due” in Mulholland Books’ Popcorn Fiction. His short stories “Colorblind” and “Curfew” will be appear, respectively, in an upcoming issue of Cemetery Dance magazine and the Peep Show, Volume 2 anthology.

His first novel, a dark coming-of-age tale about teenagers called Don’t Stand So Close, was published in July.


KC: How did you first find out about the KillerCon Convention and what were your initial thoughts about a horror convention held in Las Vegas?  

ER: I was told about it through my publisher Paul Fry at SST Publications who just released my first novel, Don't Stand So Close.

KC: What made you say yes to being a special guest at KillerCon 4?

ER: KillerCon’s reputation, the interesting line-up of guests, and a horror literary convention taking place in Las Vegas were impossible to resist. 

KC: Can you share some amusing anecdotes from conventions past? What do you like and dislike most about conventions? 

ER: The best thing that ever happened to me at a con was meeting my wife Meredith at the Austin Film Festival in 2001, where I was a panelist and she was a filmmaker in the short film competition. We’ve been together ever since.

Conventions are generally a stimulating way to meet fans and socialize with colleagues in a more relaxed environment outside the business. My favorite conventions have been where the attendees come there to really get something out of it and make use of the panelists and guests. The traveling is occasionally a hassle but worthwhile as I’ve attended cons and festivals all over the world and in remote areas of the US. The only aggravation comes when the cons are disorganized, but that’s rarely the case.

KC: What are you looking forward to most at KillerCon 4?

ER: Seeing old friends and making new ones. And spending some time in Vegas, which is Disneyland for adults.

KC: What can fans expect from you next?

ER: My first novel,  Don't Stand So Close , a strong YA thriller, just came out and has been getting some great reviews and press. It’s the best thing I’ve ever written and I hope that people who enjoy my films will give the book a chance because they won’t be disappointed.

I begin shooting my next film, an epic horror western called The Guns of Santa Sangre, in New Mexico early next year. It’s based on my second novel and stars Jeffrey Dean Morgan, from Watchmen as the leader of trio of tough American gunfighters in 1880’s Mexico who go up against some very, very bad guys. It’s a rousing and scary shoot-em-up on a grand and supernatural scale.

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KillerConLV would like to thank Eric Red for taking the time out of his jam-packed schedule to stop by for this interview! :-)

Eric Red will be involved in various events during KillerCon4. For more information, please visit the Schedule/Events page.

-KillerConLV

Saturday, August 25, 2012

Sign Up Now for Flightlinez at Fremont Street Experience



It's hard to believe there's only one short month left to go before we get the good times rolling at KillerCon 4 in Sin City!

We know you daredevils are pumped for the Flightlinez at Fremont Street Experience! After all, how often do you get the chance to zip down the entire 800-foot length of the Fremont Street Experience at 30 miles per hour? 

If you would like to participate, the KillerCon group is going on Thursday, September 20, departing the Stratosphere Hotel at 7pm for Flightlinez (425 Fremont St.)

Please note: you must sign up on this post by leaving your name and email. (If we get a minimum of twenty participants, we’ll even qualify for the group discount!)
  
Interested in taking the plunge but not sure if it's your thing? Check out this video that demonstrates just how much fun zip-lining is!


 

See you all in a month!

--KillerconLV

Saturday, July 28, 2012

KillerCon4 Interview—Founders of KillerCon



KillerCon4 InterviewFounders of KillerCon:
Wrath James White and Monica O'Rourke

Wrath James White is a former World Class Heavyweight Kickboxer, a professional Kickboxing and Mixed Martial Arts trainer, distance runner, performance artist, and former street brawler, who is now known for creating some of the most disturbing works of fiction in print. 

Wrath's two most recent novels are The Resurrectionist and Yaccub's Curse. He is also the author of Succulent Prey, Everyone Dies Famous in a Small Town, The Book of a Thousand Sins, His Pain, and Population Zero. He is the co-author of Teratologist (with Edward Lee), co-author of Orgy of Souls (with Maurice Broaddus), co-author of Hero (with J.F. Gonzales), and co-author of Poisoning Eros (with KillerCon co-founder Monica J. O'Rourke). 

Wrath lives and works in Austin, Texas with his two daughters, Isis and Nala, his son Sultan, and his wife Christie.  


Monica O'Rourke has published more than one hundred short stories in magazines such as Postscripts, Nasty Piece of Work, Fangoria, Nemonymous, and Brutarian and anthologies including The Mammoth Book of the Kama Sutra and These Guns for Hire. She is the author of Poisoning Eros I and II with Wrath James White, Suffer the Flesh, and the collection Experiments in Human Nature. She works as a freelance editor, proofreader, and book coach. 


KC: How did the first KillerCon come about? 

WJW: We were both attending the Northeastern Writer’s Conference (or NECON, as it is more popularly known). It was a great time. For me, however, it’s pretty far to travel. I was speaking to a group of people one night during the convention, I believe it was actually on my birthday, and I was lamenting that there wasn’t a writer’s conference like this on the West Coast. I started telling everyone how I’d been trying to talk someone into bringing World Horror to Vegas, but that no one was interested because they thought everyone would get lost in the strip clubs and casinos and no one would go to the readings and panels. Then everyone asked me why I didn’t just start my own convention. Monica offered to help me if I did and thus KillerCon was born.

MO: Wrath made me do it.

KC: It must have involved quite a lot of work spreading the word about the con and getting people to attend the first time. How did you let people know about KillerCon? 

WJW: We posted on message boards like Shocklines and Bloody Disgusting. We bought ads on Horror World and Horror Mall. We even bought Facebook ads. Then we went to other conventions and handed out fliers. It was a lot of work.

KC: How did you two first meet? 

WJW: Monica and I met at the very first Horrorfind. I was a new writer still trying to make a name for myself and so was Monica, but she seemed to know everyone, so Monica, Teri Jacobs, and Brian Keene sort of took me under their wing. A couple years later we collaborated on Poisoning Eros and shocked the hell out of everyone.

MO: Wrath and I met in 1957 while working as missionaries in Cambodia. It was harrowing! We decided to collaborate and wrote Harrowing Missionary Work in Cambodia. Poisoning Eros was better received in 2004. It was also less disgusting.

KC: Poisoning Eros received many accolades. Did you bring some elements of this writing collaboration to working together with organizing KillerCon, or was it completely different experience? 

WJW: Organizing a convention and writing have few parallels. As writers we were equals, but Monica clearly knew more about organizing a convention then I did at that time. She was only a few years removed from organizing World Horror NY in 2005, which, in my opinion, was the last truly great World Horror until they brought it to Austin in 2011. So I picked her brain a lot for the small details that are essential to a successful convention.  

MO: What is this “KillerCon” you keep asking about?

KC: Why was it so important for you to establish KillerCon?  

WJW: Because there was nothing close to a horror writer’s convention on the West Coast. All the conventions in the west focused on film, which is fine, but I’m not really interested in getting an autograph from the guy who did the voice for "Chucky" or some aging scream-queen charging twenty dollars for an autographed picture. That’s just not my idea of fun. I’m a writer and I want to be around other writers, editors, and publishers. I was sure there were others like me who were sick of the literary representatives of horror being pushed aside in favor of B-movie stars. 

MO: I wanted to make buckets of money.

WJW: If that’s the case, it was a dismal failure. I like to think of Killercon as a non-profit venture. Otherwise, I’d cry.

KC: KillerCon is known for its unique and daring events, including Forensic Blood Splatter with Pat MacEwan, writing contests, and being held at the famous Las Vegas Stratosphere, which is almost like an amusement park of a hotel that boasts death-defying roller coasters, but the first and second KillerCon conventions were held at the Palace Station Hotel. How did you go about securing the Stratosphere starting with KillerCon 2? 

WJW: My wife suggested it. We were having problems with our original venue. I was having a meltdown over it, and my wife sort of took the reins, called the hotel, and set the whole thing up. She saved KillerCon, truth be told.

KC: What’s the best part about every KillerCon convention for both of you? What has been your favorite part about every KillerCon convention so far? Any famous moments or great anecdotes? 

WJW: Pat MacEwan’s blood spatter demo last year was a highlight. Seeing a bunch of horror authors playing with green blood, bashing a stuffed rabbit with a hammer; that was amazing. Deadite’s Gross-Out contest was probably one of the best contests ever. They really know how to host an event. 

MO: Winning $500 in the casino was a highlight. Watching Ed Lee and Pat MacEwan fistfight in the lobby was a plus. 

KC: Can you talk a bit about who the first guests of honor were for the first KillerCon and how you went about getting them? 

WJW: We made a list of our top ten “Most Wanted” and just started tracking down emails. That was the hardest part. It was not easy getting contact info for some of the people on our list and others we had to go through agents. We didn’t do so well dealing with agents and I just avoid them now. If I can’t speak to the author directly, I move on. In the end, we wound up with Heather Graham, L. A. Banks, Brian Keene, Edward Lee, and Joe Lansdale. It was a great representation of the genre in all facets. We were quite pleased.

MO: Stephen King was unavailable.

KC: There are plenty of “fan conventions” on the sci-fi, fantasy, and horror circuits, but KillerCon seems to be designed exclusively for writers. Was this always the plan from the beginning, or did it generally evolve into a horror writers’ convention? 

WJW: It was always meant to be a convention for writers and readers. Fans are definitely welcome. We just never wanted it to be Horrorfind West or Fangoria Las Vegas. Those conventions are great and there’s no need for us to imitate them. We wanted to do something unique and treat the authors, who make many of those movies possible, like rock stars. Usually, writer’s conventions are in dingy little hotels in the middle of nowhere with hotel staff that treat the convention-goers like an inconvenience. It’s so common we’ve all grown accustomed to it and it’s even a bit of a cliché. We joke about the terrible hotels we’ve attended conventions in. But we knew it didn’t have to be that way. Monica and I wanted to throw a convention at a world-class hotel, in a fun, vibrant city, with an attentive staff that was happy to have us there. We had some bumps that first year, but the Stratosphere was the perfect fit.

MO: What Wrath said.

KC: Besides fan favorites like the Deadite Books Gross-out contest, what can attendees expect from KillerCon this year? 

WJW: We’ve got Pat MacEwan back with an alien autopsy. We’re organizing a zip-lining event on Fremont Street for people who get in early on Thursday night. We’ve got parties every night sponsored by Samhain Books, Shock Totem, Cutting Block Press, and Deadite Press. On Sunday, we have a former psychologist for the Utah State Prison giving a talk on the Psychology of Serial Killers. The Creative Fiction Contest is back, sponsored by Sinister Grin Press along with the Erotic Horror Flash Fiction Contest. And then we have an amazing group of special guests: F. Paul Wilson, Jack Ketchum, William Nolan, “Grammar Girl” Mignon Fogarty, Editor Guest of Honor, Don D’Auria, and Special Guests Brian Keene and Eric Red. This is going to be one amazing year.

MO: I have no idea. They fired me.

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KillerConLV would like to thank Wrath and Monica for taking the time out of their jam-packed schedules to stop by for this interview! :-)

For more information on panels and events during KillerCon4, please visit the Schedule/Events page.

-KillerConLV